Wednesday, September 28, 2011

F*ck you, she's awesome

The fact is that there aren't enough decent female characters out there. But when they do appear, they inspire. They are something to celebrate, to defend, to admire. The characters that when someone starts to complain about, we can't help but defend. What would the world be without them? We each posit our respective lists of top five (and more) female characters in the sci-fi and fantasy we read/watch.

Sunday, September 18, 2011

"What's he doing?" "He's saving us."

It just might be the understatement of the year to say that in this half of the season, the writers are pulling out all of the heartbreaking stops. Last week we were floored and moved by the tragic beauty that was The Girl Who Waited. And this week, we are presented with an extraordinarily fantastic episode that is possibly even more heartbreaking and tragic: The God Complex.

No one comes away from this with a happy ending. By the end of this episode, every character we meet is either dead or forced to say farewell to a dear friend who has changed their lives irrevocably. And that statement applies equally to Amy, Rory, and the Doctor. No one is happy, and everyone’s heart is broken.

Sunday, September 11, 2011

Say goodbye, to the world you thought you lived in

The Girl Who Waited was a brilliant example of why we love this show so much. Because when Doctor Who gets it right, it gets it right. At its core, this show is not about time travel or aliens or sci-fi or even saving the world. An episode doesn’t need to have a monster or a villain -- all it needs is a situation that puts the companions and the Doctor in a place where they discover painful things about themselves and have to make difficult choices.



When we first heard the episode title, I naturally assumed it was going to be all about Amy, and perhaps a reflection back on her childhood. It never occurred to me that Amy would have to wait, again. Yet wait she did. "You could spend a lifetime in here.” And she does. It’s progressed from "twelve years, and four psychiatrists,” to thirty-six years, and a lifetime of bitterness and loneliness. To me, the whole episode was an exploration, a magnification, of that small but nonetheless emotionally powerful scene in The Doctor’s Wife, where House manipulates Amy to stumble upon an aged Rory, and then his rotting corpse, surrounded by horrifying graffiti -- HATE AMY.

Tuesday, September 6, 2011

Sending a child away: or, why the Night Terrors sucked

Clones, as usual, agree completely. It wasn’t that there was anything actually horrible about The Night Terrors. It was just that there wasn’t anything good.

It was terrifying, sure. But that was about all it had going for it. And it never did anything with the terrors - those dolls were creepy to begin with. No new horror for kids, the way gas masks, stone angels, and shadows have been. Whether you consider it scary or not depends on whether you respond to the traditional horror/thriller movie tactics. Laura was terrified, Suzanne was not. But we both were bored. Very bored.

It felt like Fear Him, except that where Fear Her had an interesting alien, a novel way of disappearing a person, and a great child actor, the Night Terrors had... an alien whose capibilities weren’t really discussed or explored, a boring way of disappearing people, and a child actor who didn’t do anything besides look scared. Oh, and there was no wonderful scene of the Doctor carrying the Olympic torch (which he must, by the way), or David and Billie looking cute. On the contrary, Rory and Amy were again shoved away and just got to run around a lot - but unlike Doctor’s Wife, their running scenes were entirely devoid of personality, much less conversation.